Tuesday, February 28, 2006

Rule of Threes

It appears that the celebrity "rule of threes" holds true; I was so convinced that it wouldn't work that I viewed my earlier post as a sort of paper tiger. However, as my good friends Charles and Lanny remarked in their replies to that post, Dennis Weaver died yesterday, making the third significant celebrity to die in so many days.

Lots of people remember Weaver for his role as Chester on Gunsmoke, but I never particularly cared for Gunsmoke, so I barely remember him in that role--in fact, I remember those who did exaggerated imitations of Chester much better than I remember the character. It wasn't until McCloud came along in the early 1970's that I became a fan of Weaver's work; his portrayal of McCloud laid the groundwork for such famous contemporary "Southwestern lawman" writers as Tony Hillerman, I always thought. The show was different from the average cop/detective show of the era, and it worked because Weaver was so believable in the role. He played the everyman character remarkably well--and that's what made his role in Duel so memorable. (I watched that film several times and enjoyed it well enough, but my nephew Cole could never get too much of that film; my parents had it on videotape and Cole would watch it again and again and again when he was a child, 'til he knew ever scene.)

With the passing of each of these celebrities, another chapter of my childhood is closed. Makes me glad that so much of the work of Knotts, McGavin, and Weaver are still available on video...

Sunday, February 26, 2006

Give Me Liberty

Just got an e-mail from Meagan, in response to a post on this blog way back in June:
Though this is a comment to an older entry on your page (June of 2005 to be exact) I wanted to post here to make sure you saw it... My Great grandfather was at one point the owner of Liberty Hatworks and news stand on Broad St. in Rome, Ga. I was doing a search for his shop to see if i could find anything on it and it brought me to your page; it's nice to know that his shop is still so remembered. He passed before I was born so I never got to see his shop as he owned it so I find it fascinating to find any info about his store :) -- meagan
Ah, Meagan, what a wonderful store it was that your great-grandfather gave us! For those of us who lived in a small town, there were never newsstands like those that we saw on television--you know, the New York or LA sidewalk-shack newsstands that stood near bus stops or busy street corners. Instead, our newsstand in Rome was Liberty Hatworks, a business that grew from a hat cleaning-and-blocking shop to a source of diverse reading material, a store distinctive from any other I've ever been in.

Liberty Hatworks was a "shotgun store"--that is, it was a long, narrow store no more than fifteen feet wide, but as deep as a city block. The wood floors had seen almost a century's wear by the time I first discovered the store in the early 1960's (I have no idea what business was there prior to Liberty, alas); they creaked loudly with each and every step, alerting the sales clerk to the approach of a customer long before anyone made the trek from one end of the store to the front counter. The store was heated in the winter by an enormous ceiling-hanging furnace that heated it to about 80° on even the coldest day; in the summer, the air conditioning was less efficient, but it kept the store comfortable. Inside, it frequently smelled of cigar or cigarette smoke; this was a time where smoking indoors was perfectly acceptable, so many of the store's patrons did just that, filling the front of the store with a tobacco pungence that could almost choke those of us who disliked the smell of smoke... but what was in the store was so wonderful that it was worth the discomfort.

Up front were newspapers on the left as you walked in, and the sales counter replete with candy, gum, and tobacco products was on the right. Beyond on the left were three comic book spinners (an enormous number in a town where no other business except for Conn's Grocery ever had more than one--and even Conn's had only two), and after there were wooden racks filled with magazines. News magazines were in the first set of racks, along with general interest magazines; women's magazines came after that; technical magazines (photography, etc.) followed that; next came men's magazines of the sensationalistic "men's-sweat-adventure" sort (by the time you reached them, you were deep in the environs of the store); then there was a partial wall that held a support beam for the store; after that were the real men's magazines and a small selection of adult books. Beyond that was an old Coke machine that usually had Coca-Cola, Sprite, and Tab, and rarely anything else.

On the right, after the sales counter, rows after rows of paperback books lined the wall. General fiction first, followed by romance, followed by non-fiction, followed by western, followed by science fiction and fantasy (by the time the reader had reached that section of racks, he was surrounded by SF on one side, "men's-sweat-adventure" mags on the other), followed by war. Oddly enough, this arrangement never fluctuated significantly in all the years I knew the store. On the flat shelf just an inch or two above the floor were various digest-sized fiction magazines; I don't remember what all filled the spaces below the other genres, but the space below the SF and fantasy was well stocked with Amazing, Analog, Fantasy & Science Fiction, Galaxy, and If, among others. It was here that I first discovered the allure of the monthly SF magazine, with its serialized novels and its selection of illustrated short stories.

Creepy, Eerie, and Famous Monsters of Filmland--three magazines I always bought--were filed with the "men's-sweat-mags," so I soon became accustomed to flipping past the soldier-of-fortune type stories to find the comics and horror-film must-haves. In retrospect, this was probably quite the savvy move--I remember that these magazines sold far more copies than the average comic, and their location was probably the reason why.

In the back of the store was the "hatworks" section of the shop; I paid no attention to that, since kids didn't wear hats that needed working on--but I knew what was there, because the counter where hats were taken in for working was also the place where the new comics and books were processed each week. Rome News Co., the distributor, would bring boxes of new releases, each marked with a color band across the top in a rotating cycle; if this week's books had a red band, you were supposed to pull the old red-band books and magazines from the racks to replace them with these new books. I know, because that's the system I learned very quickly--and then I was able to convince the folks at Liberty to hold the books until I got out of school and had a chance to pull my selections, at which point I'd process out the comics and paperbacks for free.

I spent many hours in Liberty during my childhood and teenage years; I came to think of it as the bookstore/newsstand equivalent of the bar in Cheers, since everyone there knew my name and treated me very amiably. Heck, they even let Gary Steele buy Playboy and Penthouse long before he was really old enough to do so (for some reason, Gary always had more spending money than me--must be due to the fact that he was an only child--so I could never afford to buy these magazines and to buy the comics and paperbacks and magazines I really wanted).

A wonderful place it was, Meagan; I tip a symbolic hat in the direction of your great-grandfather, who created a store the likes of which we'll never know again.

Bad Things Happen in Threes?

Okay, this will be the unscientific test of the old aphorism that celebrity deaths happen in threes. Friday, Don Knotts; Saturday; Darren McGavin; if another significant death occurs in the next twenty-four hours (hey, I didn't establish the time frame—fate did, with the one-day gap 'twixt Knotts & McGavin!), then I'll give this whole "bad things happen in threes" theory a bit more respect.

The count is on. Personally, I hope that it's a bust... I'd much rather prove truisms wrong than lose another celebrity whose work I've enjoyed. (Oh, yeah, that's the other unscientific requirement: it has to be someone that I perceive as a significant celebrity. So if, say, M&M or Whitney Houston or Dan Rather pass away, it's sad but meaningless for this survey, since they've given me not one iota's worth of enjoyment during their careers...)

Do Not Go Gently Into That Good Night

More bad news regarding those who have helped make my life more pleasant in the past: Darren McGavin has passed away at the age of 83. McGavin earned a place in my personal television history for his portrayal of Karl Kolchak on the series The Night Stalker. McGavin's Kolchak was a self-assured, determined, undeterred searcher for the truth, no matter how unbelievable that truth was; he accepted the existence of monsters and the supernatural as being far more believable than the existence of an honest politician, and reinforced in his own distinctive manner my personal belief that the story most reporters present for public dissemination is far less interesting than the whole story that they're unable to share.

McGavin is also well known for his role as the father in the Turner Broadcasting film fave A Christmas Story. Here's a personal secret related to that film: as much as I like Christmas and Christmas-themed films and songs, I've never been incredibly fond of that film. It has moments of brilliance, but the role that McGavin must play in that film is so over-the-top and so unpleasant that it has made me appreciate the film more in small parts than as a cinematic whole. So while others may remember him for that film, I'll always think of him as Kolchak, searcher for the truth.

So long, Mr. McG, and thanks--hope you've found all that you're looking for!

Saturday, February 25, 2006

TV's Top Ten

My prior post about Don Knotts got me thinking and making mental lists; this time, the topic at hand was my ten favorite television characters. Here we go, in no particular order and subject to change if I think of someone else in a day or two:

(1) Barney Fife (like I said, Knott's death got me started on this...)
(2) Ilya Kuryakin (always liked him better than Napoleon Solo)
(3) Captain James T. Kirk (I was much more a Kirk guy than a Spock guy)
(4) Rob Petrie (I wanted to grow up to be Rob Petrie...)
(5) Lt. Columbo (most irritating detective ever)
(6) Hawkeye Pierce (the hero of punsters everywhere)
(7) John Steed (I lusted after Emma Peel, but I wanted to be John Steed)
(8) Georgia Lass (it was her curmudgeonly charm that made Dead Like Me such a remarkable viewing experience)
(9) Lex Luthor (his complex personality is crucial to Smallville's success)
(10) Carl Hutchins (if you thought comic books had a lock on all the great villains, you never saw this guy in action on Another World)

Like I said, this could change as I remember great characters I've forgotten (I know that Hoss from Bonanza almost made the cut right off the bat, along with Briscoe County Jr.). But I'll stick with this list for the time being...

Heaven Just Got a Little Funnier

Don Knotts, a favorite of mine since my childhood, has died yesterday of respiratory problems at the age of 81. I loved the man's work, and admired his ability to extract laughs from even a lame script due to his expressive face and his remarkable vocal skills. Sure, we all know that rubbery face and it's exaggerated expressions of shock, fear, and apprehension, but the voice is what really made it all work.

I hate to see him go; even though he hadn't done anything for television or movies in a while, I liked knowing that he was around--and I was glad that he lived to see his work on The Andy Griffith Show get the attention it deserved as the series was made available on DVD at long last. The show lost a lot of its appeal after Knotts left; it was still enjoyable, of course, but the truly distinctive humor built on the chemistry between the easygoing Andy Taylor and the highstrung Barney Fife was the foundation of much of the series' best episodes, and the addition of Goober could do nothing to balance Knotts' departure from the series.

I didn't particularly care for Three's Company, but I watched the show now and then simply because Knotts was in the cast in the show's later years. I also kept an eye out for Knotts' various film appearances, and was always amused at how much Knotts could resemble Mick Jagger--a comparison I'm not sure that Mick would appreciate, but it's true nonetheless.

More than a decade ago, Knotts reunited with Andy Griffith and other members of the old cast for a reunion special; while the plot was a bit labored, it was good to see the two together once again.

I sometimes wonder if it's rewarding or frustrating for an actor to be best remembered and most beloved for a role he created early in his career; is he, like Orson Welles, always overshadowed by the grandeur of his early self? Maybe, maybe not--but there's no doubt that Don Knotts will always be Barney Fife to those of us who grew up in the 1960's...

Friday, February 24, 2006

Make a Joyful Noise...

This week's instant-gratification purchase: the M-Audio Fast Track 5200 USB Audio Interface. That's a fancy way of saying "a little box that lets me hook up a mike and my guitar and my keyboard and other stuff to my Mac so that if I want to I can record them and see how really bad I sound." The great thing about electronics, though, is that if you play with really bad-sounding stuff enough, you make it sound like extremely over-produced really bad-sounding stuff.

So have I played with it yet? Of course not--I hope to get a chance to do that this weekend. It just arrived today, and I knew that if I got distracted with it, I'd never get back to work on Comic Shop News, and I'm right in the middle of reworking the data for the CSN checklist. Soon, though!...

Singapore Silliness

One of our regular customers came into the store Wednesday evening after six weeks in Singapore for various and sundry work-related reasons. He said that the first thing he did after he settled was to find a comic shop. He paid a visit there to see what they had and he noticed, along with the familiar comics, a stack of Comic Shop News near the counter.

"I usually shop at the store owned by the people who publish that," he told the shop owner.

"No, they don't publish it, they just buy it like I do and put it out," the shop owner explained.

"No, they're really the people who publish it!" He opened it up and showed them my name on the colophon and said, "I know him!"

The shop owner smiled that patronizing smile of an adult talking to a deluded simpleton and nodded.

And for the next six weeks, this conversation was repeated in one form or another, he said.

Before he left, he got an e-mail address for the shop. We're going to take a picture and e-mail it to him, along with a note telling him what will be in Comic Shop News two weeks from now (we work two weeks ahead, due to print lead time).

"I may not be there to see his face, but at least I know that he'll finally believe me," the customer explained...

Ahh... he who laughs last is probably the Joker...

Wednesday, February 22, 2006

Ten Shows I Want on DVD

Everyone who buys television programs on DVD probably has a list of shows that aren't currently available that they'd like to add to their library. Well, so do I--and here they are, in no particular order:

(1) Batman (The Adam West/Burt Ward series)
(2) Honey West (Anne Francis does the detective thing)
(3) T.H.E. Cat (Robert Loggia plays cat-burglar-turned-detective Thomas Hewett Edward Cat)
(4) Captain Nice (hey, I really like Wally Cox)
(5) I'm Dickens, He's Fenster (I have great memories of this from my childhood, although I can't recall the actual plot of a single episode)
(6) Space Angel (if we can get a heaping helping of Clutch Cargo, why can't we get this Alex Toth-designed series with fakey human mouths taking the place of animation?)
(7) Hercules ("hero of song and story.... winner of ancient glory...")
(8) Man From U.N.C.L.E. (the absence of this show from American DVD libraries, when collections have been offered in other countries, is an entertainment crime)
(9) Shazam! (This live-action Captain Marvel series had a distinctive charm)
(10) Less Than Perfect (this comedy shouldn't have worked, but it did, largely due to the comedic skills of Andrea Parker, whose sensuous beauty first attracted my attention when she played Ms. Parker on The Pretender--who's have thought she could do The Funny as well? Match her up with Patrick Warburton and you have the world's most charmingly dysfunctional couple)

Honorable Mention: Birds of Prey (a much better series than it had any right to be, since it never managed to play up its Batman links)

I would have added Star Trek: The Animated Series to the list, but I hear that it's slated for release later this year. Hoorah!

Picture Imperfect

Like almost every Mac user who also owns a digital camera, I've accumulated an enormous number of digital photos over the years. The volume of photos isn't a problem; the fact that they're spread over multiple computer is, however. I could just drag the photo files to a pocket firewire drive and copy 'em all to one computer, but then I'd love the various libraries and folders I've created over the years.

In looking for a solution, I've run across iPhoto Library Manager. It looks like it will allow me to merge all these iPhoto libraries from various computers onto my iMac G5 (it has the largest hard drive, so it's the lucky winner of the store-all-the-photos contest!). If anyone has any words of advice on this, let me know; I'm going to play around with it a little bit before I do anything (and of course, I'm going to back up all those various photo libraries, just to play it safe).